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What the f**k are the independent label contract actually? Well, independent label contracts typically resemble contracts offered by major labels because they have similar legal liabilities to define before representing an artist. There are slight differences, usually with regards to royalties. Independent Labels typically offer higher royalty percentages because production costs are usually significantly lower than those of a major label. For example, Independent labels tend to focus less on marketing than Major labels.
It is becoming increasingly more common for independent labels to offer a profit-sharing deal in which as mush as 40-75% of the net profits go to the artist. In this type of contract, the net gain after all expenses have been taken out are split between the label and artist by a negotiated percentage. However, deals in this form can take longer for an artist to gain any profit since all expenses - such as manufacturing, publicity, and marketing - are also taken into account. As an independent artist becomes more popular, deals of this type are more advantageous. Independent Labels can rely on "word of mouth" to expose their artists. This of course is to attract a distinct audience. Indie Labels tend to avoid high budget marketing, which is usually critized as "over kill" and attracts an audience commonly found following major label artists. This of course contributed to the lack of production cost, and helps artist to receive royalties sooner.
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If a band or artist writes their own material, publishing can be one of the best ways to earn a profit. It is one of the few guaranteed ways to earn revenue for artists. Even touring is not a sure way to make money because it is possible that no one will attend the shows. Basic copyright law protects songwriters by giving them exclusive rights to grant or deny the reproduction, distribution, or performance of their work. The majority of a band's publishing income comes from its mechanical and performance rights. Mechanical rights cover the reproduction of a song on a record. In the standard contract between a band and a label, the label is required by law to pay the composer a fixed rate per song simply for the right to use the composition on commercially sold recordings. The mechanical licensing rate in 2006 for the U.S and Canada is 9.1 cents per song. With the performance rights, a song's copyright covers every time it appears on radio and television.
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