Death Cab for Cutie's early work on You Can Play These Song with Chords was described by Rolling Stones as "emotion through its lack of emotion". Pitchfork Media also remarked that the work on the cassette was "ultra-lo-fi". On Something About Airplanes the band's style remained similar, with some new instrumental work introduced; "flute, synth, or cello" were noted by Allmusic's Nitsuh Abede. On We Have the Facts and We're Voting Yes the band again expanded their use of unorthodox instrument, including organ and glockenspiel. Pitchfork Media called them a "gentle niche" in the current rock climate, compared with bands such as Modest Mouse and Built to Spill.
Rolling Stone reviewed Transatlanticism and commented that it contained "melodic, melancholy songs about feeling both smart and confused, hopelessly romantic but wary of love." Gibbard's voice was described as "plaintive boy-next-door" Entertainment Weekly commented on the music on Plans, saying "The lush arrangements are long on hothouse organs and pianos, but short on the squirmy guitarist and squirrelly beats that, on Gibbard's best work, offset his sweet voice and borderline-maudlin poetics with a sense of emotional danger." The band's music on Plans was described by the Dallas Morning News as "literate, whispery style, the kind of stuff that normally sounds better in headphones than in large venues".
alooo.
ReplyDeleteyeeahhh, i like this stuff too.
muziknye jenis slow rock.
aku ade dngar sama lagu
l'll follow u into the dark
album Plan.
death cab for cutie.
salam perkenalan.
follow aku weh coz aku mau follow sama koo.
coz i'm a new blogger.